There are over two centuries of scholarship about the American Revolution. A 2019 review published by The Virginia Magazine of History and Biography estimates that there have been over 900 books written about George Washington alone. Over the course of two centuries, historians' interpretations of the events that shaped the Revolution and the people who lived through them have evolved.
How have studies of the American Revolution changed or stayed the same over time?
BLAAKMAN: Although our perspectives on them have changed dramatically over the years, I’d say our field centers on a set of enduring questions: Why did the American Revolution begin? What were its consequences? In what sense was it revolutionary? Who was it revolutionary for? Those are questions that were debated right from the era of the Revolution itself.
MCCLURE: There has been a considerable deepening and broadening of questions, too. I was in grad school back during the U.S. bicentennial in 1976. Back then, what everybody understood and read about the American Revolution was all about texts and ideas of famous men. But there was also this big shift happening in history, of moving toward community-focused social history. We started asking questions like: How do we understand the experience of people who weren’t writing famous texts and were not full participants in the political process? What was the revolutionary experience for them?
BLAAKMAN: Yes, and that sense of whose stories matter has just kept expanding. So nowadays historians investigate the Revolution across lines of class and background and status — how women, and Native Americans and free and enslaved African Americans experienced the Revolution and influenced its course and meaning. The geography has expanded, too. We see the Revolution in the context of a broader Atlantic world, and a North American continent far beyond the seaboard. These evolving parameters are constantly changing the way we answer the big questions. One result in the latest scholarship is that the war itself has become much more central to the way we gauge the Revolution’s impact than it was in the classic studies written in the 20th century, which focused mostly on intellectual and political history. The Revolution reached most ordinary people first and foremost as a war.
I think historians have also recently been trying to get past the dichotomies that structured the last century or so of debates about the Revolution: Was the Revolution sparked by political ideas, or was it sparked by material concerns? Was the outcome of the Revolution an expansion of political opportunity, or was it defined by the consolidation of elite power and wealth? A lot of new studies are finding ways to bridge those binaries or dissolve them. This is reflected, for instance, in recent scholarly energy on the histories of finance and money, which are political. Money is a political institution and a social institution.
SNEFF: That makes me think about the museum exhibit that I’m working on at Historic Trappe in Pennsylvania. I suggested we include different currency as part of the exhibit, like Spanish coin and paper money. The rest of the curatorial team was curious when I suggested this, like, “Why do we want these pieces of money in the exhibit?” I said, “Because it’s a political story. Because the choice of whether to consider a currency as valid or not reflected your own politics.” And we have these examples of people grappling with this decision, but I still don’t think it’s an expected part of the interpretation.
BLAAKMAN: We just had this conversation in my Revolution class the other day! We read an excerpt of the diary of Elizabeth Drinker, a Quaker woman in Philadelphia, from the period of the British occupation of Philadelphia. She’s Quaker, so she’s studiously neutral, right? The first time you ask students the question, “What side is she on?” they quite fairly say, “Well, we don’t really know that she’s on any side.” But there’s a moment in the diary when she makes a deliberate choice to exchange Portuguese half joes — gold coins — for Continental dollars, the patriots’ troubled paper money. And that is a political choice. The politics are inherent in the money.
Why are there these changes in interpretation?
BLAAKMAN: I think the reasons we come up with new interpretations or new arguments about the past can be boiled down to three impetuses:
1. We have new questions — questions that people didn’t ask before, or questions that we’re going to ask differently, and often that’s inspired by our own experience in the present.
2. There are new sources, whether that be new documents or new archives that come to light, or sources that we can access more easily and understand better because of the forensic-style work that’s been done over the years by editors like Jim.
3. There are new methods — new ways of analyzing sources, new digital technologies or even artificial intelligence. AI has posed challenges in the humanities classroom, but we are starting to see some examples of historians using it for good in research: to see new patterns and unlock new meanings in the sources we use.
You get those three things — questions, sources and methods — chugging along together, and what you wind up with is the whole basis of scholarly innovation, telling old stories in new ways and finding new stories that we didn’t know existed. Historical scholarship is, by definition, revisionist. Because we can’t just be satisfied with what we think we already know.